1. "I urge you to please notice when you are happy, and exclaim or
murmur or think at some point, 'If this isn't nice, I don't know what
is.'"The actual advice here is technically a quote from
Kurt Vonnegut's "good uncle" Alex, but Vonnegut was nice enough to pass it on at speeches and in
A Man Without A Country.
Though he was sometimes derided as too gloomy and cynical, Vonnegut's
most resonant messages have always been hopeful in the face of
almost-certain doom. And his best advice seems almost ridiculously
simple: Give your own happiness a bit of brainspace.
2. "Peculiar travel suggestions are dancing lessons from God."In
Cat's Cradle,
the narrator haplessly stumbles across the cynical, cultish figure
Bokonon, who populates his religious writings with moronic, twee
aphorisms. The great joke of Bokononism is that it forces meaning on
what's essentially chaos, and Bokonon himself admits that his writings
are lies. If the protagonist's trip to the island nation of San Lorenzo
has any cosmic purpose, it's to catalyze a massive tragedy, but the
experience makes him a devout Bokononist. It's a religion for people who
believe religions are absurd, and an ideal one for Vonnegut-style
humanists.
3. "Tiger got to hunt, bird got to fly; Man got to sit and wonder,
'Why, why, why?' Tiger got to sleep, bird got to land; Man got to tell
himself he understand."Another koan of sorts from
Cat's Cradle
and the Bokononist religion (which phrases many of its teachings as
calypsos, as part of its absurdist bent), this piece of doggerel is
simple and catchy, but it unpacks into a resonant, meaningful philosophy
that reads as sympathetic to humanity, albeit from a removed, humoring,
alien viewpoint. Man's just another animal, it implies, with his own
peculiar instincts, and his own way of shutting them down. This is
horrifically cynical when considered closely: If people deciding they
understand the world is just another instinct, then enlightenment is
little more than a pit-stop between insoluble questions, a necessary but
ultimately meaningless way of taking a sanity break. At the same time,
there's a kindness to Bokonon's belief that this is all inevitable and
just part of being a person. Life is frustrating and full of pitfalls
and dead ends, but everybody's gotta do it.
4. "There's only one rule that I know of, babies—God damn it, you've got to be kind."This line from
God Bless You, Mr. Rosewater
comes as part of a baptismal speech the protagonist says he's planning
for his neighbors' twins: "Hello, babies. Welcome to Earth. It's hot in
the summer and cold in the winter. It's round and wet and crowded. At
the outside, babies, you've got about a hundred years here. There's only
one rule that I know of, babies—God damn it, you've got to be kind."
It's an odd speech to make over a couple of infants, but it's playful,
sweet, yet keenly precise in its summation of everything a new addition
to the planet should need to know. By narrowing down all his advice for
the future down to a few simple words, Vonnegut emphasizes what's most
important in life. At the same time, he lets his frustration with all
the people who obviously don't get it leak through just a little.
5. "She was a fool, and so am I, and so is anyone who thinks he sees what God is doing."A couple of pages into
Cat's Cradle,
protagonist Jonah/John recalls being hired to design and build a
doghouse for a lady in Newport, R.I., who "claimed to understand God and
His Ways of Working perfectly." With such knowledge, "she could not
understand why anyone should be puzzled about what had been or about
what was going to be." When Jonah shows her the doghouse's blueprint,
she says she can't read it. He suggests taking it to her minister to
pass along to God, who, when he finds a minute, will explain it "in a
way that even
you can understand." She fires him. Jonah recalls
her with a bemused fondness, ending the anecdote with this Bokonon
quote. It's a typical Vonnegut zinger that perfectly summarizes the
inherent flaw of religious fundamentalism: No one
really knows God's ways.
6. "Many people need desperately to receive this message: 'I feel
and think much as you do, care about many of the things you care about,
although most people do not care about them. You are not alone.'"In this response to his own question—"Why bother?"—in
Timequake,
his last novel, Vonnegut doesn't give a tired response about the urge
to create; instead, he offers a pointed answer about how writing (and
reading) make a lonesome world a little less so. The idea of
connectedness—familial and otherwise—ran through much of his work, and
it's nice to see that toward the end of his career, he hadn't lost the
feeling that words can have an intimate, powerful impact.
7. "There are plenty of good reasons for fighting, but no good
reason ever to hate without reservation, to imagine that God Almighty
Himself hates with you, too."Though this quote comes from the World War II-centered
Mother Night
(published in 1961), its wisdom and ugly truth still ring. Vonnegut
(who often said "The only difference between Bush and Hitler is that
Hitler was elected") was righteously skeptical about war, having
famously survived the only one worth fighting in his lifetime. And it's
never been more true: Left or right, Christian or Muslim, those
convinced they're doing violence in service of a higher power and
against an irretrievably inhuman enemy are the most dangerous creatures
of all.
8. "Since Alice had never received any religious instruction, and
since she had led a blameless life, she never thought of her awful luck
as being anything but accidents in a very busy place. Good for her."Vonnegut's excellent-but-underrated
Slapstick
(he himself graded it a "D") was inspired by his sister Alice, who died
of cancer just days after her husband was killed in an accident.
Vonnegut's assessment of Alice's character—both in this introduction and
in her fictional stand-in, Eliza Mellon Swain—is glowing and
remarkable, and in this quote from the book's introduction, he manages
to swipe at a favorite enemy (organized religion) and quietly, humbly
embrace someone he clearly still missed a lot.
9. "That is my principal objection to life, I think: It's too easy, when alive, to make perfectly horrible mistakes."The narrator delivering this line at the end of the first chapter of
Deadeye Dick
is alluding both to his father's befriending of Hitler and his own
accidental murder of his neighbor, but like so many of these quotes, it
resonates well beyond its context. The underlying philosophy of
Vonnegut's work was always that existence is capricious and senseless, a
difficult sentiment that he captured time and again with a bemused
shake of the head. Indeed, the idea that life is just a series of small
decisions that culminate into some sort of "destiny" is maddening,
because you could easily ruin it all simply by making the wrong one.
Ordering the fish, stepping onto a balcony, booking the wrong flight,
getting married—a single misstep, and you're done for. At least when
you're dead, you don't have to make any more damn choices. Wherever
Vonnegut is, he's no doubt grateful for that.
10. "Literature should not disappear up its own asshole, so to speak."Vonnegut
touchstones like life on Tralfamadore and the absurd Bokononist
religion don't help people escape the world so much as see it with
clearer reason, which probably had a lot to do with Vonnegut's education
as a chemist and anthropologist. So it's unsurprising that in a
"self-interview" for
The Paris Review, collected in his non-fiction anthology
Palm Sunday,
he said the literary world should really be looking for talent among
scientists and doctors. Even when taking part in such a stultifying,
masturbatory exercise for a prestigious journal, Vonnegut was perfectly
readable, because he never forgot where his true audience was.
11. "All persons, living and dead, are purely coincidental."In Vonnegut's final novel, 1997's
Timequake,
he interacts freely with Kilgore Trout and other fictional characters
after the end of a "timequake," which forces humanity to re-enact an
entire decade. (Trout winds up too worn out to exercise free will
again.) Vonnegut writes his own fitting epigram for this fatalistic
book: "All persons, living and dead, are purely coincidental," which
sounds more funny than grim. Vonnegut surrounds his
characters—especially Trout—with meaninglessness and hopelessness, and
gives them little reason for existing in the first place, but within
that, they find liberty and courage.
12. "Why don't you take a flying fuck at a rolling doughnut? Why don't you take a flying fuck at the mooooooooooooon?"Even when Vonnegut dared to propose a utopian scheme, it was a happily dysfunctional one. In
Slapstick,
Wilbur Swain wins the presidency with a scheme to eliminate loneliness
by issuing people complicated middle names (he becomes Wilbur
Daffodil-11 Swain) which make them part of new extended families. He
advises people to tell new relatives they hate, or members of other
families asking for help: "Why don't you take a flying fuck at a rolling
doughnut? Why don't you take a flying fuck at the mooooooooooooon?" Of
course, this fails to prevent plagues, the breakdown of his government,
and civil wars later in the story.
13. "So it goes."Unlike many of these quotes, the repeated refrain from Vonnegut's classic
Slaughterhouse-Five
isn't notable for its unique wording so much as for how much
emotion—and dismissal of emotion—it packs into three simple, world-weary
words that simultaneously accept and dismiss everything. There's a
reason this quote graced practically every elegy written for Vonnegut
over the past two weeks (yes, including ours): It neatly encompasses a
whole way of life. More crudely put: "Shit happens, and it's awful, but
it's also okay. We deal with it because we have to."
14. "I have been a soreheaded occupant of a file drawer labeled
'science fiction' ever since, and I would like out, particularly since
so many serious critics regularly mistake the drawer for a urinal."Vonnegut was as trenchant when talking about his life as when talking about life in general, and this quote from an essay in
Wampeters, Foma & Granfalloons is particularly apt; as he explains it, he wrote
Player Piano
while working for General Electric, "completely surrounded by machines
and ideas for machines," which led him to put some ideas about machines
on paper. Then it was published, "and I learned from the reviewers that I
was a science-fiction writer." The entire essay is wry, hilarious, and
biting, but this line stands out in particular as typifying the kind of
snappishness that made Vonnegut's works so memorable.
15. "We must be careful about what we pretend to be."In
Mother Night,
apolitical expatriate American playwright Howard W. Campbell, Jr.
refashions himself as a Nazi propagandist in order to pass coded
messages on to the U.S. generals and preserve his marriage to a German
woman—their "nation of two," as he calls it. But in serving multiple
masters, Campbell ends up ruining his life and becoming an unwitting
inspiration to bigots. In his 1966 introduction to the paperback
edition, Vonnegut underlines
Mother Night's moral: "We are what
we pretend to be, so we must be careful about what we pretend to be."
That lesson springs to mind every time a comedian whose shtick relies on
hoaxes and audience-baiting—or a political pundit who traffics in shock
and hyperbole—gets hauled in front of the court of public opinion for
pushing the act too far. Why can't people just say what they mean? It's a
question Don Imus and Michael Richards—and maybe someday Ann
Coulter—must ask themselves on their many sleepless nights.
- by
Scott Gordon,
Josh Modell,
Noel Murray,
Tasha Robinson, and
Kyle Ryan
April 24, 2007-
