Sabtu, 18 Mei 2013

Famous Places Around the World Turned Into Miniature Scenes

Article by Michael Zhang · May 04, 2013

 


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New York-based photographer Richard Silver is a passionate traveler, and his primary goal as an artist is to share his life experiences by creating beautiful photographs during his travels. Rather than shoot traditional photos, he uses techniques such as tilt shift, HDR, panorama, and time-slice in order to capture the world in eye-catching ways. Last year we shared his time-slice photos of NYC, which showed day turning into night in single photos.
Another major project he has been working on is called “Tilt Shift.” He has been photographing some of the world’s most famous locations and turning them into miniature scenes.

The project contains photos snapped in locations ranging from the famous structures of Machu Picchu (as seen above) to runners streaming down a road during the New York Marathon.
Silver says, “People always ask me, How do I make people look so small or why do I make people look so small? Simple, we are!” Thus, his goal with the project is to “give the viewer a new way of seeing themselves and their place in the world.”
The photographer tells us he was inspired by the tilt-shift work of Italian photographer Olivo Barbieri. However, instead of using an actual tilt-shift lens, Silver shot “normal” photographs and then applied an artificial shallow depth of field to the images using Photoshop during post-processing.
“I appreciate the freedom that digital gives me especially with this ongoing project,” he says.
So far, Silver has already visited all 7 New Wonders of the World (one of the lists, at least), and has applied this tilt-shift style to all of them.

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The US Open in New York City

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Verrazano-Narrows Bridge in New York City

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Ha Long Bay, Vietnam

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Acropolis

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Ahu Tangariki

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Palm Islands in Dubai

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The White House in Washington, DC

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The World Trade Center Memorial

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The Western Wall in the Old City of Jerusalem

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Colesium

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The Great Wall of China

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Teotihuacan, Mexico

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Brooklyn Bridge

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Roman ruins

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The New York Marathon in 2011

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Balloon Fiesta in Albuquerque, New Mexico

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Zocalo, Mexico

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Hagia Sophia in Istanbul, Turkey

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Snow walkers in Iceland
Silver’s photographs are now being exhibited in galleries located in many of the countries he has visited (over 50 of them around the world).
Read more at http://petapixel.com/2013/05/04/photographer-turns-famous-locations-around-the-world-into-miniature-scenes/#lbHtQB6h1MOOsFvr.99

The History of Jewellery

 
 
The word ‘jewelry’ traces its origin to the Latin word ‘jocale’, which literally meant ’plaything’. The word ‘jewel’ was has been derived from the old French word ‘jouel’, anglicized in the 13th century. Jewelry has been used for ages, though not necessarily for the purpose of ornamentation. In the most basic form, jewels have been used, since the times when early humans began to use tools and wear clothing. As humans became proficient in the use of tools and metals, the crude jewelry progressed to assume beautiful shapes and designs. The article dwells on the history of jewelry at length. Read on to know some interesting information and amazing facts about how it came into existence.
Interesting & Amazing Information On Origin & Background Of Jewellery
It is interesting to note that that jewelry which is today available in such exquisite designs, glossy stones and material was first made of readily available natural materials, such as animal teeth, bone, different types of shells, carved stones and wood. Initially, jewelry was more of a functional item, used to fasten articles of clothing together, and it was not associated with decorative purposes. However, with the passage of time, it was adapted for being purely used as an object of aesthetic ornamentation. It also came to be used as a spiritual and religious symbol.
 
The first gemstones are considered to be gathered in as much the same way as food. It is highly likely that the gems came to an accidental notice, while the primitive humans were searching for food, picking through alluvial gravels in a dry river bed that contained gems. Prima facie, these dazzling, rather useless pieces of stones were harder than any naturally occurring substance and their transparency could be used for capturing the warmth of fire, brightness of sun and blue depth of sea and sky. However, even the primitives soon learnt the right use of these precious stones and as mankind progressed, jewelry very well became a symbol of wealth and status.
 
It was the ancestors of Homo Sapeins, which actually began the tradition of making jewelry for the purpose of ornamentation. Early humans traveled from Central Africa to the Middle East, the Indus Valley, and to the continent of Europe, collecting objects that interested them and fashioning them into pieces of jewelry, notably to narrate the story of their journey. Mas d’Azil is a paleolithic cave site in the mountains of France, where a French archaeologist found necklaces and bracelets made of bone, teeth, mother-of-pearl, shells and stone, strung together with a single piece of twine. This jewelry roughly belonged to the period between 17,800 and 6,500 BC.
 
The earliest used metal for making jewelry was ‘’free gold’’, which was found in Spanish caves and was native to the region. The initials signs of crude metallurgy were witnessed over 10,000 years ago, when native copper, meteoric iron, silver and tin were first used by humans to create tools and possibly, jewelry. While the history of jewelry suffers from the lack of credible documentation, perhaps due to its archaic roots, there is no denying the fact that the contemporary pieces of jewelry worn by women today, has evolved through a series of phases, to enjoy the popularity it holds today.
 
Source was  taken from:  The Den Toronto (http://thedentoronto.tumblr.com/)

Damn cold night!



I am lonely.
I am longing.
I am aching.
I feel cold inside.
I want the warmth of a good night’s kiss.
or even just a call or a text to wish me a good night’s rest.
or lovely dreams.
I want to be wrapped in someone’s arms.
I want to feel warmth and strength.
I want the heady feel of tangled legs and sheets,
of soft breaths and rough skin.
I am lonely.
and on cold nights like this,
I wish I wasn’t alone.

Written by Oldry Ronald

Rabu, 15 Mei 2013

#Beautiful


Featuring R&B crooner Miguel, "Beautiful" is the first single from music diva Mariah Carey's much-anticipated fourteenth studio album due in 2013 via Island Def Jam. Co-written by the singing pair, and co-produced with the help of Happy Perez, "Beautiful" is a romantic ballad with a vintage, retro vibe. Miguel and MiMi kill this vocally. "Beautiful" was world premiered on radios on May 6.

Ah ah you're beautiful
Ah ah you're beautiful

Hop on the back of my bike
Let the good the wind blow through your hair
With a a-- like that, and a smile so bright
Oh you're killing me, you know it ain't fair

Ride on through the middle of the night
Let moonlight kiss your skin
When you dance like that, your jeans so tight
Oh you're killing me, baby do it again

You're beautiful, and your mind is f-cking beautiful
And I can't pretend that that doesn't mean a thing to me, to me, yeah
You're beautiful, good lord, you're f-cking beautiful
And I can't pretend that that doesn't mean a thing to me, to me, yeah

I like when you run red lights, don't stop till you thrill me, oh how you thrill me
Always in control, how you do it I don't know
But I don't care, take me anywhere,

Cause it's beautiful, ooh you make me feel undressable
And I can't pretend that that doesn't mean a thing to me, to me, ohh yeah
You're beautiful, and your mind is f-cking beautiful
And I can't pretend that that doesn't mean a thing to me, to me, yeah
You're beautiful, good lord, you're f-cking beautiful
And I can't pretend that that doesn't mean a thing to me, to me, yeah

Ah ah you're beautiful
Ah ah you're beautiful

You don’t know what you’re doing darling
Hop on back my bike darling
Don’t you worry darling

Move on!

10 Tips to Mend a Broken Heart (how to move on)

By

10 Tips to Mend a Broken Heart
Bess Myerson once wrote that “to fall in love is awfully simple, but to fall out of love is simply awful.” Especially if you are the one who wanted the relationship to last.
Mending a broken heart is never easy. There is no quick way to stop your heart from hurting so much.
To stop loving isn’t an option. Author Henri Nouwen writes, “When those you love deeply reject you, leave you, or die, your heart will be broken. But that should not hold you back from loving deeply. The pain that comes from deep love makes your love ever more fruitful.”
But how do we get beyond the pain? Here are 10 tips I’ve gathered from experts and from conversations with friends on how they patched up their heart and tried, ever so gradually, to move on.
1. Go through it, not around it.
I realize the most difficult task for a person with a broken heart is to stand still and feel the crack. But that is exactly what she must do. Because no shortcut is without its share of obstructions. Here’s a simple fact: You have to grieve in order to move on. During the 18 months of my severe depression, my therapist repeated almost every visit: “Go through it. Not around it.” Because if I went around some of the issues that were tearing me apart inside, then I would bump into them somewhere down the line, just like being caught in the center of a traffic circle. By going through the intense pain, I eventually surfaced as a stronger person ready to tackle problems head on. Soon the pain lost its stronghold over me.

2. Detach and revel in your independence again.
Attempting to fill the void yourself — without rushing to a new relationship or trying desperately to win your lover back — is essentially what detaching is all about. The Buddha taught that attachment that leads to suffering. So the most direct path to happiness and peace is detachment. In his book, Eastern Wisdom for Western Minds, Victor M. Parachin tells a wonderful story about an old gardener who sought advice from a monk. Writes Parachin:
“Great Monk, let me ask you: How can I attain liberation?” The Great Monk replied: “Who tied you up?” This old gardener answered: “Nobody tied me up.” The Great Monk said: “Then why do you seek liberation?”
One of the most liberating thoughts I repeat to myself when I’m immersed in grief and sadness is this: I don’t need anyone or anything to make me happy. When I’m experiencing the intense pangs of grief, it is so difficult to trust that I can be whole without that person in my life. But I have learned over and over again that I can. I really can. It is my job to fill the emptiness, and I can do it… creatively, and with the help of my higher power.
3. List your strengths.
As I wrote in my “12 Ways to Keep Going” post, a technique that helps me when I feel raw and defeated to try anymore is to list my strengths. I say to myself, “Self, you have been sober for 20 years!! Weaklings can’t pull off that! And here you are, alive, after those 18 months of intense suicidal thoughts. Plus you haven’t smoked a cigarette since that funeral back in December of last year!” I say all of that while listening to the “Rocky” soundtrack, and by the last line, I’m ready to tackle my next challenge: move on from this sadness and try to be a productive individual in this world. If you can’t list your strengths, start a self-esteem file. Click here to learn how you build one.
4. Allow some fantasizing.
Grief wouldn’t be the natural process that it should be without some yearning for the person you just lost. Dr. Christine Whelan, who writes the “Pure Sex, Pure Column” on BustedHalo.com, explains the logic of allowing a bit of fantasy. She writes:
If you are trying to banish a sexual fantasy from your head, telling yourself “I’m not going to fantasize about her” or “I won’t think about what it would be like to be intimate with him” might make it worse… In a famous psychological study from the 1980s, a group of subjects were told to think about anything but whatever they did, they were not supposed to think about a white bear. Guess what they all thought about? [A white bear.]
5. Help someone else.
When I’m in pain, the only guaranteed antidote to my suffering is to box up all of my feelings, sort them, and then try to find a use for them. That’s why writing Beyond Blue contributes a big chunk to my recovery, why moderating Group Beyond Blue has me excited to wake up every day. When you turn your attention to another person — especially someone who is struggling with the same kind of pain — you forget about yourself for a split moment. And let’s face it, that, on some days, feels like a miracle.
6. Laugh. And cry.
Laughter heals on many levels as I explain in my “9 Ways Humor Heals” post, and so does crying. You think it’s just a coincidence that you always feel better after a good cry? Nope, there are many physiological reasons that contribute to the healing power of tears. Some of them have been documented by biochemist William Frey who has spent 15 years as head of a research team studying tears. Among their findings is that emotional tears (as compared to tears of irritation, like when you cut an onion) contain toxic biochemical byproducts, so that weeping removes these toxic substances and relieves emotional stress. So go grab a box of Kleenex and cry your afternoon away.
7. Make a good and bad list.
You need to know which activities will make you feel good, and which ones will make you want to toilet paper your ex-lover’s home (or apartment). You won’t really know which activity belongs on which list until you start trying things, but I suspect that things like checking out his wall on Facebook and seeing that he has just posted a photo of his gorgeous new girlfriend is not going to make you feel good, so put that on the “don’t attempt” list, along with e-mails and phone calls to his buddies fishing for information about him. On the “feels peachy” list might be found such ventures as: deleting all of his e-mails and voicemails, pawning off the jewelry he gave you (using the cash for a much-needed massage?), laughing over coffee with a new friend who doesn’t know him from Adam (to ensure his name won’t come up).
8. Work it out.
Working out your grief quite literally — by running, swimming, exercising, walking, or kick-boxing — is going to give you immediate relief. On a physiological level — because exercise increases the activity of serotonin and/or norepinehrine and stimulates brain chemicals that foster growth of nerve cells — but also on an emotional level, because you are taking charge and becoming the master of your mind and body. Plus you can visualize the fellow who is responsible for your pain and you can kick him in the face. Now doesn’t that feel good?
9. Create a new world.
This is especially important if your world has collided with his, meaning that mutual friends who have seen him in the last week feel the need to tell you about it. Create your own safe world — full of new friends who wouldn’t recognize him in a crowd and don’t know how to spell his name — where he is not allowed to drop by for a figurative or literal surprise visit. Take this opportunity to try something new — scuba diving lessons, an art class, a book club, a blog — so to program your mind and body to expect a fresh beginning… without him (or her).
10. Find hope.
There’s a powerful quote in the movie The Tale of Despereaux that I’ve been thinking about ever since I heard it: “There is one emotion that is stronger than fear, and that is forgiveness.” I suppose that’s why, at my father’s deathbed, the moment of reconciliation between us made me less scared to lose him. But forgiveness requires hope: believing that a better place exists, that the aching emptiness experienced in your every activity won’t be with you forever, that one day you’ll be excited to make coffee in the morning or go to a movie with friends. Hope is believing that the sadness can evaporate, that if you try like hell to move on with your life, your smile won’t always be forced. Therefore in order to forgive and to move past fear, you need to find hope.

And remember to love again…

Once our hearts are bruised and burned from a relationship that ended, we have two options: we can close off pieces of our heart so that one day no one will be able to get inside. Or we can love again. Deeply, just as intensely as we did before. Henri Nouwen urges to love again because the heart only expands with the love we are able to pour forth. He writes:
The more you have loved and have allowed yourself to suffer because of your love, the more you will be able to let your heart grow wider and deeper. When your love is truly giving and receiving, those whom you love will not leave your heart even when they depart from you. The pain of rejection, absence, and death can become fruitful. Yes, as you love deeply the ground of your heart will be broken more and more, but you will rejoice in the abundance of the fruit it will bear.

Source was taken from: http://psychcentral.com/blog/archives/2011/02/18/10-tips-to-mend-a-broken-heart/

My Addiction to Coffee



I thought for a brief moment
about the taste on my lips, the lingering memory
of such tense emotions glancing off my most tender smile
I sigh, trying to breathe in the luscious aroma
as each second stretches into a thought of simple perfection
and my mind becomes lost in the innocence of my desire
The devil I think
could make only such enticing flavour, to make me so helpless
as my body yearns to consume it every waking hour
So wanting it penetrates my dreams and floods my gleeful slumber
with a desire so corrupting that I cannot discern
whether or not my mind is my own, or simply a victim to greed
Jealousy takes my hunger
and brushes it aside as my tongue lavishes itself in a feeling
that rides such a fine line between pain and perfection
as it burns my mouth, my tongue
yet it warms me down to the farthest reaches of my body
to the depth of my soul, it fills me with a flavour I cannot describe
I hold the thought, losing myself in the absence of clear logic
as the caffeine surges through me
and brings my body to life
as the rich mixture of addiction drips into my blood
to provide fuel for my chaotic desecration
and sinful yearning for more

Poetry by: Barry Hurd

10 Coffee Facts From the Amazing Fact Generator


Article written by: Jason English
 

1. After coffee beans are decaffeinated, coffee manufacturers sell the caffeine to soft drink makers and pharmaceutical companies.

Thinkstock

2. The average U.S. worker spends $1,092 on coffee each year.

Getty Images

3. Starbucks is named for Captain Ahab’s first mate. The founders had considered naming it Pequod's, after Ahab’s ship.




Getty Images

4. Chock Full O'Nuts coffee does not contain nuts. It's named for a chain of nut stores the founder converted into coffee shops.

Getty Images

5. According to legend, Honore de Balzac drank 50 cups of coffee a day to fuel his writing.

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6. In 1932, Brazil couldn't afford to send its athletes to the Olympics in Los Angeles. So they loaded their ship with coffee and sold it along the way.

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7. In 1674, the "Women's Petition Against Coffee" said it was turning British men into "useless corpses" and proposed a ban for those under 60.

8. Coffee was banned in Mecca in 1511. It was believed to stimulate radical thinking and hanging out.

Thinkstock

9. The first webcam watched a coffee pot. It allowed researchers at Cambridge to monitor the coffee situation without leaving their desks.

Quentin Stafford-Fraser/Wikimedia Commons

10. In 2008, Annamarie Ausnes received a life-saving kidney from an unlikely source: her Starbucks barista Sandie Andersen.

Getty Images

 The source was taken from: http://mentalfloss.com/article/33604/10-coffee-facts-amazing-fact-generator

Rabu, 08 Mei 2013

How coffee affects your hormones

By Bryan Walsh | January 26th, 2010

Throughout its long history, coffee has endured both accolades and opposition.
Over the ages, some of the world’s greatest composers, thinkers and statesmen have extolled coffee’s virtues, while others have denounced it as a poisonous, mind-corrupting drug. Coffee has been praised by certain religions and prohibited by others.
Some governments have subsidized coffee crops; others have imposed steep taxes and duties on them. Doctors vali­date coffee’s health benefits yet worry about its contribution to cardiovascu­lar disease, diabetes, and even cancer.
Coffee is more popular than ever, which contributes to its contradictory status. In moderation, coffee poses minimal health risks for most people. In some cases, coffee even appears to be protective. But many North Ameri­cans now consume coffee in large quantities, which can significantly damage our neuroendocrineimmune system over the long term.

Neuro-what?

The neuroendocrineimmune system consists of the processes and structures that form our central nervous systems, our hormonal systems, and our immune systems, all of which are linked in complex relationships.
For example, many of us know that when we are stressed, we get sick more easily. Emotional and mental demands, especially if prolonged, cause our stress hormones to increase, which means our immune systems don’t work as well.
The complicated interplay of our neuroendocrineimmune systems suggests that there is no clear division between mind and body. What we think and experience is as much “us” as what our body does.
cup of black coffee1 How coffee affects your hormones

How do we know what we know?

It’s hard to get a clear picture of coffee’s health effects. Epidemiological studies, which try to find relationships between multiple lifestyle factors, can be hard to interpret.
For one thing, coffee drinking is correlated with other dietary and lifestyle behaviours such as alcohol and nicotine consumption and a sedentary lifestyle. In other words, people who drink a lot of coffee also tend to drink and smoke, and be out of shape.
On the other hand, people who avoid coffee often do so for health-related reasons. They’re also more likely to be health-conscious in other ways, making health-promoting lifestyle choices such as exercise. Comparing coffee drinkers with non-coffee drinkers thus misses a number of important variables.
Second, there are vast differences in coffee’s pharmacological constituents depending on the type of bean used in the study, the methods of roasting, and the varying ways of preparing coffee, not to mention the differences between commercially available instant coffee versus freshly roasted organic coffee.
There are also differences in individual sensitivity to caffeine, likely due to the genetic traits related to caffeine metabolism (see “Coded for Caffeine”, in the Spezzatino Coffee issue), as well as lifestyle influences. For example, the half-life of caffeine is shorter in smokers than non-smokers, while the half-life of caffeine is doubled in women taking oral contraceptives.
Finally, most research studies observe and measure the effects of a single dose of caffeine rather than the effects of chronic ingestion. Yet most coffee drinkers drink coffee daily.
As a number of studies have shown, single-dose experiments don’t necessarily reflect the effects of our regular routines. For example, researchers have shown that we can build tolerance to the cardiovascular effects of caffeine within two to three days. Therefore, research studies that show a given effect on the body from an acute single dose bear little relevance to the chronic ingestion of caffeine.
In my naturopathic practice, I use evidence from epidemiological and experimental studies. But I also draw on experience and a systematic understanding of how our nervous, endocrine, and immune systems interact in order to make educated guesses about coffee’s potential effects on my patients.

Caffeine and your brain

Caffeine is one of coffee’s primary constituents with psychoactive activities. It’s part of a group of substances collectively referred to as methylxanthines. These alkaloids are well known for their ability to increase cognitive abilities, improve energy, enhance well-being, and increase arousal and alertness.
As mentioned elsewhere in the Spezzatino Coffee issue (see “Lab to Lunch”), these effects occur largely because of caffeine’s ability to block adenosine receptor sites throughout the body. However, there are other neurochemical effects that are worth noting.
Once again, studies demonstrating the effects of caffeine on neurotransmitters (chemicals that allow the cells of our nervous system to communicate) don’t always give us a realistic picture.
First, the dose used in neurochemical studies generally exceeds quantities ingested during normal everyday life.
When animals are used, they are non-coffee drinkers. (It’s hard to make mugs that small, and without opposable thumbs… well, let’s just say there’ve been some unfortunate spills of hot liquid. Luckily, no legal cases against McDonalds are pending.) Therefore, researchers use a single dose of caffeine, which may not reflect the neurochemical effects of chronic consumption of caffeine.
Second, neurotransmitters are produced in different amounts in different areas of the brain simultaneously, and have very different effects on mood and personality depending on where in the brain they’re used.
Quick overview: serotonin is involved in mood and appetite regulation; gamma-aminobutyric acid (GABA) typically inhibits neuronal activity to cause relaxation and sleep; and acetylcholine is involved in muscle contraction.
Chronic caffeine intake has been shown to increase the receptors of serotonin (26-30% increase), GABA (65% increase), and acetylcholine (40-50%). This may contribute to the elevated mood and perceived increase in energy we feel after a coffee (which makes espresso a handy pre-workout drink). Despite increasing receptors, caffeine also inhibits the release of GABA, which contributes to our feeling of alertness.
Chronic caffeine intake also increases the sensitivity of serotonin receptors. In other words, receptors specific to serotonin are more responsive to serotonin present in the synaptic cleft — it’s sort of like installing a bigger satellite dish to catch more of an existing signal. One study showed a decrease in serotonin release, but an increase in serotonin reuptake, leading to an overall increase in serotonin levels. (Think of it as the brain’s natural recycling.)
In the human body, when neurotransmitter receptors increase in number, or if they increase their sensitivity, it generally suggests a reduction in functional capacity and activity of neurons associated with those receptors.
Either the brain needs more chemicals to do the job, or the neurons involved aren’t working as hard. This might mean that a certain neurotransmitter is in short supply, or that its activity needs to increase. In the case of caffeine and serotonin, this can partly explain the mood-enhancing effects of drinking coffee.
Caffeine has also been shown to increase serotonin levels in the limbic system, a relatively primitive part of our brain involved in regulating basic functions such as hormonal secretions, emotional responses, mood regulation and pain/pleasure sensations. This has a similar mode of action as some antidepressant medications.
The increase in serotonin levels, combined with the increase in serotonin receptors, cause the characteristic withdrawal symptoms (such as agitation and irritability) when coffee intake is stopped. The brain has come to expect more action in its serotonin receptors, and when its abundant supply of happy chemicals is abruptly cut off, it gets crabby.
Indirectly, chronic caffeine intake may impact neurochemistry by reducing cofactors – chemical partners – necessary for neurotransmitter synthesis.
For example, coffee inhibits the absorption of iron, a key mineral involved with the synthesis of serotonin and dopamine. Additionally, we need the activated form of vitamin B6, pyridoxal-5-phosphate, to synthesize serotonin, dopamine and GABA. Coffee consumption can decrease amounts of circulating B-vitamins, which could affect neurotransmitter synthesis in another way.
Thus, caffeine impacts whether certain chemicals are available; how receptive our brains are to them; and whether we’re even making those chemicals in the first place.

Caffeine and your hormones

Both scientists and lay people know the effects of caffeine consumption on hormones relatively well.
For example, quickly perusing the internet brings up numerous sites claiming that caffeine “wears out the adrenal glands”. But not surprisingly, this may not be entirely accurate. While we know many things about the impact caffeine has on human’s stress physiology, certain mechanisms of how it occurs are still relatively mysterious.
Caffeine strongly affects the activity of the hypothalamic-pituitary-adrenal (HPA) axis: the linked system of hypothalamus and pituitary glands in the brain, and the adrenal glands that sit atop the kidneys. The HPA axis influences the body’s ability to manage and deal with stress, both at rest and during activity.
The adrenal glands secrete two key hormones: epinephrine and cortisol. Epinephrine, or adrenaline, increases respiration rate, heart rate and blood pressure; while cortisol frees up stored glucose, which we need in greater amounts during times of perceived stress.
As you can imagine, for our early hominid ancestors, the ability to quickly access and use stored energy was a helpful feature. However, while this is an excellent acute response to an immediate stress (such as being chased by a bear), it’s a damaging response when the stress is chronic (such as the cumulative demands of our daily modern lives).
Studies in humans have shown that caffeine increases cortisol and epinephrine at rest, and that levels of cortisol after caffeine consumption are similar to those experienced during an acute stress. Drinking coffee, in other words, re-creates stress conditions for the body.
While scientists have some ideas about how caffeine increases HPA hormones, the exact mechanism still remains unclear.
Compounding the problem, people tend to consume more caffeine during stressful periods (as nearly every student during exam season knows well). They add stress to stress, potentially making things even worse.
Rat studies have shown that caffeine consumption during chronic stress increased cortisol, blood pressure, and other negative hormonal events. Chronically stressed rats who consumed caffeine ended up sicker, and died sooner, than rats experiencing chronic stress without caffeine consumption.
However, again, chronic caffeine consumption leads to a degree of physiological tolerance and thus among people who drink coffee regularly, blood pressure, heart rate, excessive urination, epinephrine production, and even anxiety and stimulation may not be as strongly affected.
Other hormonal effects of caffeine appear to be related to competitive actions for metabolism in the liver. Like a gridlocked city, the liver only has so many “roads”, or metabolic pathways, available. More “cars” (i.e. chemicals) on the “roads” slow things down.
For instance, the liver detoxifies caffeine using the CYP1A2 enzyme system, which is also responsible for initial metabolism of estrogen during Phase I clearance by the liver. This is one reason caffeine is likely metabolized more slowly in women taking oral contraceptives or postmenopausal hormone replacement therapy.
While research showing the effects of chronic caffeine consumption on circulating levels of estrogen isn’t yet available, researchers have suggested that caffeine consumption may lower the risk of breast cancer by upregulating the CYP1A2 isoenzyme and thus improving estrogen metabolism.

Caffeine and your immune system

The immune system is a vast and complex system that communicates extensively with itself and connects to every other system of the body.
For simplicity’s sake, we’ll separate the immune system into two sections: the Th1 side (T-cell mediated system) and the Th2 side (B-cell mediated antibody system). The Th1 side is our innate immune system – the system that develops early in life – and is our first line of defense against pathogens such as viruses and bacteria.
On the other hand, the Th2 system is acquired: as we are exposed to pathogens throughout our lives, we produce antibodies to them. Antibodies recognize foreign invaders if exposed to them repeatedly, and will launch a stronger and swifter attack if a second invasion takes place. Because of this system, someone will experience a reaction to poison ivy only after their second exposure.
The two sides of this system act as a seesaw: when one side is dominant, the other side is suppressed.
Research suggests that chronic caffeine exposure shifts the immune system to a Th2 dominance. This may help the treatment of Th1 dominant autoimmune conditions, but in the average person, it may elevate the Th2 system excessively, creating an overzealous Th2 immune response. A dominant Th2 system predisposes individuals to hypersensitivity reactions such as asthma and allergies.
To date, there have not been any correlations between chronic caffeine consumption and increased prevalence of Th2 associated conditions, but based on existing knowledge of caffeine and the immune system, the link seems plausible.
In my clinical naturopathic practice, we have seen certain autoimmune conditions improve with caffeine consumption, while others get worse.
If someone with rheumatoid arthritis (an autoimmune condition that causes joint pain and inflammation) says they get significantly more joint pain when they drink coffee, one could hypothesize that their Th2 system is dominant, and the caffeine is promoting destruction of their joints by further stimulating this already overzealous Th2 system.

Putting it all together

No known studies demonstrate statistically significant correlations between coffee over-consumption and the unwinding of the neuroendocrineimmune system. We just don’t know for sure yet how all the puzzle pieces fit together.
However, certain theoretical pathways can be created, and have been observed clinically. We can also make some informed speculation based on what we already know of the neuroendocrineimmune system’s interrelationships.

Effects on metabolism

Chronic coffee consumption increases insulin resistance, a situation in which the body cannot effectively deliver glucose into the cells of the body. In this situation, insulin, which helps transport glucose into the cells, cannot do its job well because the body’s cells are less receptive.
This typically occurs with a diet high in refined sugars and starches. Thus, the body must release ever-larger amounts of insulin to do the job. Like parents tuning out their screaming toddler, the body becomes less and less sensitive to insulin’s effects, which means more circulating glucose, which means more insulin release… and so on.
It’s a vicious cycle. And, unfortunately, it’s a cycle that currently occurs in the majority of North Americans. Combine the standard Western diet high in refined carbohydrates with stress and a high caffeine intake, and you have a potential recipe for metabolic disaster.
Insulin stimulates the release of interleukin-6 (IL-6), which is a Th2 cytokine (a cell signaling molecule).
If IL-6 is chronically elevated (in this case, from high insulin levels), it may lead to a Th2 dominance and potential hypersensitivity from an overzealous antibody response. This can result in acquired sensitivities to foods and chemicals.
Interleukin-6 also stimulates the release of cortisol, which, as a glucocorticoid hormone, increases the body’s glucose level. This leads to an increased demand for insulin, which is problematic because of the insulin resistance that started the cascade in the first place.
Let’s recap: a diet high in refined sugars and starches leads to more circulating glucose.
  • More glucose means more insulin needed to dispose of it.
  • More insulin means cells tune out, which means even more insulin dumped into the bloodstream (especially if people continue to eat this high-carbohydrate diet).
  • More insulin means insulin resistance — possibly aggravated by high caffeine consumption.
  • More insulin means more IL-6 and more inflammation and hypersensitivity.
  • More IL-6 means more cortisol, which means more glucose… and here we are, back at the beginning of a very nasty cycle.
Consider this as you cradle your extra-large coffee and glazed donut this morning during your white-knuckle commute to work.
w Giant Coffee Cup75917 How coffee affects your hormones

Effects on brain function and mood

The elevated blood sugar and insulin don’t just stop at inflammation. They can create imbalances in the neurotransmitters serotonin, dopamine and GABA, which can lead to sub-clinical mood problems such as mild depression (aka “the blues”), low motivation, irritability, and impaired cognition.
People with chronically high glucose, insulin resistance, systemic inflammation, and stress typically have “fuzzy brain”, memory loss, lethargy, and/or a short fuse.
Coupled with the potential iron and B-vitamin deficiencies created by coffee, which, again, cause impaired synthesis of key neurotransmitters, this may result in mood states where people feel the need for coffee to keep themselves functioning properly.
Have you ever felt that you desperately needed coffee for a pick-me-up? Do you tell people, “I’m a grouch until I get my coffee?” If so, you may be experiencing this situation.
Caffeine in moderation is likely not an issue for most people. Indeed, it may actually have health benefits. (See the article on traditional Chinese medicine and coffee, in the Spezzatino Coffee issue) Problems occur when we drink coffee all day long and combine it with sedentary lifestyles, poor diets, and chronically elevated stress.
We drink much more caffeine than our great-grandparents did. Not only has our coffee consumption increased, but the market is saturated (pardon the pun) with other sources of caffeine. There is much more refined sugar available to us, and our lives move at a much faster pace.
The industry standard size for a cup of coffee is six ounces. If you’re North American and under 40, I bet you don’t even own a six-ounce glass of anything – never mind finding a cup that size at the local coffee shop!
It’s the perfect storm: caffeine, stress, sugar, and sedentary living. This combination and its complex relationships with your neuroendocrineimmune system may be affecting you more than you realize.
Systems in our body are closely interconnected. Stimulation of one area can have far-reaching effects, especially if the stimulation is dramatic and/or prolonged.
Large amounts of caffeine likely have numerous negative impacts on the body that research has not yet elucidated, but if we piece the available studies together, such impacts appear to be very real possibilities.
Follow the evidence that your body offers you. Pay attention to how you feel when you drink coffee.
Do you feel good for a short period, then shaky and irritable? Do you notice more pain or other kinds of physical distress?
If you’re experiencing any of the symptoms I’ve mentioned above, ranging from anxiety to inflammation, consider bringing a little decaf into your life.

Roast your own coffee

Brought to you by the creators of Precision Nutrition, Spezzatino Magazine is an encyclopedia of food, with each issue focusing on a single food such as: basil, grapes, wild game, tomatoes, fish, coffee, chocolate, and more.
In volume 8, our biggest and best issue yet, we focus on coffee.  (And this article comes directly from the magazine.)
Because you’re a PN reader, we’d like to share with you some additional goodies, including another article on how to roast your own coffee at home, which may be healthier than drinking the commercial varieties.   So click the link below, check out volume 8,  and get your free stuff.
Free Stuff – Roast Your Own Coffee Beans
roast your own beans Page 1 How coffee affects your hormones

Learn more

To learn more about making important improvements to your nutrition and exercise program, check out the following 5-day video courses.
They’re probably better than 90% of the seminars we’ve ever attended on the subjects of exercise and nutrition (and probably better than a few we’ve given ourselves, too).


Source: http://www.precisionnutrition.com/coffee-and-hormones

Swing Jazz

 What is Swing Jazz?

In jazz and related musical styles, the term swing is used to describe the sense of propulsive rhythmic "feel" or "groove" created by the musical interaction between the performers, especially when the music creates a "visceral response" such as feet-tapping or head-nodding (see pulse). The term "swing" is also used to refer to several other related jazz concepts including the swung note (a "lilting" rhythm of unequal notes) and the genre of swing, a jazz style which originated in the 1930s.
As swing jazz was dance music and coevolved together with swing dances such as Lindy Hop, the term swing can be understood as music that makes you want to dance. Even though there is overlap between these concepts, music from any era of jazz or even from non-jazz music can be said to have "swing" (in the sense of having a strong rhythmic groove or feel).
While some jazz musicians have called the concept of "swing" a subjective and elusive notion, they acknowledge that the concept is well-understood by experienced jazz musicians at a practical, intuitive level. Jazz players refer to "swing" as the sense that a jam session or live performance is really "cooking" or "in the pocket."
If a jazz musician states that an ensemble performance is "really swinging," this suggests that the performers are playing with a special degree of rhythmic coherence and "feel." Although referring to a "sense of swing" is often done in the context of ensemble performances (e.g. a jazz combo or band), even an unaccompanied soloist can be said to be performing with "swing."

The History of Swing Music

 

What Makes a Song Swing?

We know it when we listen to it. Our feet tap along, our hips may move from side to side, and our fingers snap in sync with an unmistakable beat. It's easy to know what feels like swing music, but what is it that makes a song swing?
A typical swing song features a strong rhythm section supported by a more loose brass section, and later a string and/or vocal section. Improvisation is common in live swing performances, but depends on the song, band or the band-leader. As the song progresses, multiple soloists can pick up the baton and pass it on, but commonly there are two or three band members improvising. Swing bands tend to be bigger than other jazz bands, requiring a more organized and detailed composition, notation as well as more energetic arrangements. By having such a hierarchal structure, swing bands prevent chaos that may come from the improvisation of twelve to sixteen musicians.

History

Swing developed in the 1920s as a mixture of West African and Western European rhythms, and progressively evolved around America- from lively jazz experimentations in New Orleans to Kansas City and New York. While swing is a distinctly American style of music, the precursors to swing developed in places like Cuba, Haiti, Puerto Rico, and Brazil by the slave populations, though they often receive no credit in the genre because of an inability to record music and historical racism.
Although swing finds its roots in the 1920s, swing is known as the music of the 1930s and 1940s. During the 1920s, swing was mostly played and enjoyed by African Americans. As the audience grew, musicians and band-leaders were under pressure to develop "softer" music for more conservative Anglo-American listeners. White listeners found African American swing to be vulgar and low class, though this was due to racism more so than legitimately offensive content. However, by 1939, the resistance against swing music in America had vanished, and America was a proudly swinging nation.

The Swing Kids (Swingjugend)

Similar conflicts arose when swing became more popular in other countries. In Germany, swing music often confronted and even mocked Nazi ideology, and was consequently forbidden or censored. Swing music in Germany was frequently performed by African immigrants as well as Jewish musicians. The Nazi party labeled swing as "Negermusik" (nigger music) and “entartete musik" (degenerate music).
Thus, the Swing Kids (German: Swingjugend) arrived. Mostly concentrated in large cities like Berlin, the Swing Kids used music as a political tool against the Nazi party. The name of the movement itself poked fun at Nazis. "Swing Kids" or "Swing Youth" was a parody on the numerous “youth groups” promoted by the Nazi government. They also used their greeting “Swing Heil," as a parody of “Sieg Heil,” the Nazi salute.
Perhaps the most surprising information about the Swing Kids is the fact that they were literally children. The Swing Kids were composed of 14 to 18-year olds that usually still attended school. They were mostly members of the upper-class because they needed to have access to records and music that was not played on German radio. They were against Nazism, especially the Hitler Youth and they found themselves longing for the American and British way of life, and thus defined themselves through swing music. They referred to themselves as “Swings”; members were also called “Swing-Boy”, “Swing-Girl” and “Old-Hot-Boy.” Swing kids used their appearance as a primary form of protest, with boys growing out long hair, girls wearing flashy make up and both genders wearing oddly patterned, flamboyant clothing.
While swing music was forbidden in Nazi Germany, the Swing Kids experienced no threatening government opposition until August 18, 1941. An unexpected and violent police raid resulted in the arrest of 300 Swing Kids. Punishment ranged from chopping off the kids' hair and sending them to special schools, to imprisoning more prominent Swing Kid figures in youth concentration camp. This raid created a battle between the Swing Kids and the Nazi government, which resulted in years of brutal raids of underground clubs, arrests and riots. Finally, in January 1943, the Swing Kid movement took a crippling blow, when leader Günter Discher was arrested and imprisoned in the concentration camp of Moringen.
Director Thomas Carter released a film in 1993 titled Swing Kids, and the film provides a relatively accurate historical look at the Swing Kids movement by Hollywood's standards. The film stars Robert Sean Leonard (Television show House, Film, Dead Poets Society) and Christian Bale (Film, The Dark Knight).

The Decline of Swing

Swing music become less popular during World War II because of two reasons. Firstly, and most importantly, it was very difficult to start a band since many musicians went to war and overseas. Secondly, big band touring became more expensive due to war economics. This made smaller ensembles, 3 to 5 musicians, more common, which changed the sound of swing and gave rise to rhythm 'n' blues, jump blues and bebop. The last true to the era swing records were released in the year 1947 and by 1949 swing metamorphosed into several different music genres, such as r'n'b, jump blues, bebop, rock 'n' roll, country, western, funk, etc.

Famous Swing Musicians


The most famous swing musician, as many consider him to be, is Benny Goodman, nicknamed “King of Swing” because of the role he played in evolving musicians from a jazz style into swing. Another famous musician is Artie Shaw, the only one to ever challenge Benny Goodman's crown. Other famous swing musicians are Glen Miller, Count Basie, Duke Ellington (famous for his piano playing) and Cab Calloway. Some of the most famous female swing and jazz singers are Ella Fitzgerald and Billie Holiday as well as Diane Shuur, Ivie Anderson, The Boswell Sisters and others.

Swing Dance

The traditional swing dance we think of when watching classic films developed well after swing music itself developed, several years later. Strong rhythms and loud, insistent tunes led to a new creation in the black community; an energetic, vibrant and improvised dance better known as swing dance. These swing dances originated in, and became popular in New York City, Kansas City and Chicago.

Charleston

While the Charleston did not originate as a swing dance (but instead as a flapper dance during the early 1920s), it was very popular in the swing music scene of the 1930s, and easily recognized today. The Swinging-Charleston, a modified partner form of the dance, was especially popular during the 1930s. The dance involved eight counts, and centered around the alteration of arm and leg movements to produce an almost "hop" like step in the middle.

Lindy Hop

The Lindy Hop started in Harlem, late in the 1920s and the early 1930s. It's characterized by improvisation and dancing both with and without a partner. Most people recognize the classic "swing-out" movement of the Lindy Hop Dance, where dancers hold hands and extend arms and come back together in an embrace. Famous poet Langston Hughes often frequented Harlem night clubs, where he observed and subsequently wrote about the Lindy Hop.

Saint Louis Shag

The St. Louis shag is a modified Charleston style swing dance. Unlike most swing dances, the St. Louis shag is oddly structured, with a pattern of movements: rock step, kick forward, step down, kick forward (other leg), stag, step, and stomp (repeat). The St. Louis shag is typically done to very fast swing music, with a partner kept in close contact.

East Coast Swing

East Coast Swing (know by many other names including Single-Time Swing, Triple-Step Swing, 6-Count Swing,) was a popular form of swing dancing because it used very simple footwork and could be adapted to any style of swing or jazz music. A dancer, with their partner must first rock back on one foot, forward on the other, and then step with each one, producing a "rock, step, step step" four count pattern. The single rock movement made this dance simpler than most, and was enjoyed by even the clumsiest of dancers.

Swing Revival

Even though ensembles such as the Count Basie Orchestra and the Stan Kenton Orchestra survived for decades, a new wave of swing music appeared (though lasted shortly) in the 1990s and the early 2000s. Swing music as well as swing dancing (which has always been and still is popular, unlike swing music) was brought back to life by various films (Swingers, Swing Kids & Blast from the Past) as well as commercials (Gap's advertising campaign that featured Louis Prima's song Jump, Jive and Wail). Bands of the neo-swing period base their music on the rock instrumentation of bass, guitar and drums, but with addition of a few horn instruments, and tend to be more rehearsed than the traditional "hot" improvised swing of the past.

 The Swing Era

Jazz began to "swing" as musicians began to adopt swing eighths, th estring bass, high hat cymbals, and a looser, more rythmic feeling . This change occurred gradually starting in the twenties with musicians such as Louis Armstrong, and continued on into the 40's. A lot of the music that came out of this period was played by bands of ten musicians or more. Because of this the swing era is also often known as the big band era. Some big bands didn't include a lot of improvisation. Other big bands such as that of Count Basie placed great emphasis on improvisation.
Jazz music had been played as a form as entertainment since its inception. During the swing era jazz music developed into tremendous music to dance to. Jazz groups seldom performed just for listening. Swing dansing was an extremely popular past time. During this era, jazz achieved wide popular appeal. One of Count Basie's recordings, One O'Clock Jump, sold over a million copies.
swing dansingThe beginnings of the swing era can be traced to developments of larger bands by Fletcher Henderson in New York, and Bennie Moten in Kansas City. Fletcher Henderson along with his brother Horace and with Don Redman created the pattern for swing arrangments. Henderson helped establish the independent use of trumpet, trombone, saxophone, and rhythm sections with the use of soloists. A swing score generally has specific notes for each instrument to play in every measure. Then the music arranger decides which measures will be used for solo improvisation. The score is then taken to a music copyist who extracts the individual parts for the various instruments.
When the depression hit the U.S. in 1929 the entire music business sudddenly failed. Some players, such as Benny Goodman were able to find employment in staff radio jobs. Others, such as Louis Armstrong and Duke Ellington left the United States for Europe. Some jazz authorities believe that the swing era was launched in 1934 when Benny Goodman left the radio business to form his own band. However, by 1934 Duke Ellington as well as Fletcher Henderson had already formed large swing bands that played in the Kansas City area.
Swing bands started to play a large part in people's lives in the late 30's as people tried to shake off the depression by dansing. Large ballrooms were extremely common and therefore large bands were also needed.
Ellington's Big BandBands of the swing era produced a much fuller sound than the sound produced by earlier dixieland jazz bands. The resulted from the use of two to three times as many players. Because there were more players, swing music was organized in a homophonic construction. This resulted in the music sounding less complex and more organized in its effect. Block chords used by swing bands are a prime example of homophonic construction.
The swing era is dominated by the big bands that played to huge audiences during this period. Two of the largest big bands were Count Basie's and Duke Ellington's. Benny Goodman also led several influential swing bands. Within the big bands there were also many individuals who distinguished themselves. Lester Young and Coleman Hawkins were two extremely talented saxophone players who became well renowned for their improvisational prowess. Ella Fitzgerald wowed crowds with her silky smooth voice and upbeat scat singing.
 (This summary by Sean Glass using information from Jazz by Tanner, Megill and Gerow and Jazz Styles by Mark C. Gridley.)


Notable Swing Musicians

Without these legendary greats, the music scene today certainly would not be the same. They contributed their creativity, talent and lent that zing to the era of Swing. What I note here as I write this is that these musicians had a warm connection with each other, yet wer able to develop their own styles.

Duke Ellington (1899 - 1974)

Thought of as one of the most influential musicians in the swing era, Duke Ellington rose to fame as he performed weekly in the New York Cotton Club. His band stayed with him through decades of recording, producing such evergreens as “Take the A train”, “It don’t mean a thing if you ain’t got that swing”, and “In a sentimental mood.”
A creative mind, he experimented with harmonic and formal devices that are now considered jazz standards.

Duke Ellington In a Sentimental Mood

 

Coleman Hawkins (1904-1969)

Hawkins had a unique, raspy tone and an unquestionable command of musical improvisation, a style he developed as a member of Fletcher Henderson’s Big Band. He became famous later touring as a soloist. His 1939 composition Body and Soul has become a landmark improvisation in Jazz History. His influence has lasted through Bebop and later styles as well.

Coleman Hawkins Body and Soul

 

Counte Basie (1904-1984)

A great pianist, Basie began to garner attention when he moved to Kansas, a jazz hotbed, and began playing with Bennie Moten’s Big Band. He broke off from the band to form his own group in 1935 and they became one of the most popular bands in the country. The sparse precision of his piano style was catchy and rousing. He made famous recordings with the likes of Joe Williams, Ella Fitzgerald, Frank Sinatra and Tony Bennet. He developed a style known as the Basie Boogie.

Count Basie Orchestra

 

Art Tatum (1909-1956)

A man ahead of his time, Art was a prodigious talent. Not really associated with any swing bands, he was a premier keyboardist during the time. What was fascinating was that his spectacular harmonic knowledge and technique was developed completely by ear. He used it to construct elegant, beautiful harmonic lines played at breakneck tempos. His music set the standard for musicians of bebop in the 1940’s and 50’s. Listen to his version of Tea for Two.

Art Tatum Tea for Two

 

Ben Webster (1909-1973)

Along with Coleman Hawkins and Lester Young, Webster was one of the three titans of the saxophone during the swing era. He was versatile, and his style could growl through uptempo or sensitive ballads. He recorded a version of Cotton Tail that is seen as one of the gems from the period. He spent the last years of his career as a celebrity in Denmark. 

Benny Goodman

A son of Jewish Immigrants, Benny Goodman moved to New York from Chicago in the late 1920s. He began leading a band for a weekly radio show in the 1930s. He is credited with bridging racial divides, making the music of black musicians popular among Caucasian audiences, therefore considered as instrumental in the bolstering of swing music. He was also thought of as one of the best jazz clarinetists of all time.

Benny Goodman Sing Sing Sing

 

Lester Young

Another of the three tenor saxophone greats, Lester Young began his career in music touring with his family’s band. Versatile, he played on a variety of instruments. His more relaxed style of music was not often accepted by those more used to Hawkins’ harsher style. He became influential on bebop eventually, and was given the nickname Prez by Billy Holliday.

Lester Young These Foolish Things


The Andrews Sisters

The Andrews Sisters
The Andrews Sisters
So it is time for a little female power. The Andrews Sisters were a highly successful close harmony group during this era comprising Maxene Angelyn Andrews, LaVerne Sophia Andrews and their sister, Patricia Marie, they sold well over 75 million records. They made hits like Boogie Woogie Bugle Boy was an early example of rhythm and blues. Their hits have been covered by Bette Midler and Christina Aguilera. A personal acapella favorite of mine is Don’t Sit Under the Apple Tree.

Boogie Woogie Bugle Boy

 

 The Andrews Sisters - Don't Sit Under The Apple Tree

Louis Armstrong (1901-1971)

Armstrong came to prominence as a Cornet and Trumpet player in the roaring ‘20s. He was given the nickname Satchmo or Pops. A foundational influence on Jazz, Armstrong had a distinctive, gravelly voice which could be heard in songs like What A Wonderful World and his popular, best selling rendition of Aint Misbehavin’. Armstrong developed his cornet playing in Fletcher Henderson’s orchestra. His artistry allowed him to be an unquestionable influence on music of the time. Together with jazz vocal greats like Ella Fitzgerald, he developed the technique of ‘scat singing”, a popular vocal technique among jazz singers which involves musically vocalizing random sounds.

Glen Miller Orchestra
Glen Miller Orchestra

Glen Miller/The Glen Miller Orchestra (1904-1944)

A must-mention name in the Big Band Era, Miller and his Orchestra brought unforgettable, catchy and danceable compositions to audiences. One of the best selling recording artistes from 1939 to 1943, he led one of the best know big bands of the era. Evergreen (yes, I still jive to this) hits include In the Mood, Chattanooga Choo Choo and Tuxedo Junction. He and his band unfortunately disappeared in the bad weather over the English Channel in 1944 when he was asked to perform for the US troops. His official Military Status remains as Missing In Action. Many theories and books, like I Kept My Word: The Personal Promise Between a World War 2 Army Private About What Really Happened To Glen Miller by Clarence B Wolfe.

Fletcher Henderson

Fletcher Henderson Wrapping It Up

 

Famous for being a band leader who groomed greats like Louis Armstrong and Coleman Hawkins, I must definitely not leave him out of this list. He was instrumental to the swing era and the influence of his prolific black orchestra was vast. He was a director for the Black Swan label from 1921 to 1923. He provided solo accompaniment for many blues and jazz singers. He formed his own band which began playing at the Club Alabam and became widely known as the best African American band in New York. Originally a dance band, the addition of Louis Armstrong showed him that there could be a great potential for jazz. The band then grew into jazz greatness.

A legendary Big Band vocalist : Frank Sinatra

Frank Sinatra
Frank Sinatra
 
 

Truly a legendary singer of the era, Sinatra, a bobby soxers idol, released his first record The Voice of Frank Sinatra in 1946. Signed to Columbia Records, he made such hits as My Way, Strangers in the Night and Come Fly With me.
1940 marked the birth of Sinatramania, which lasted into the 1950’s. He won the award for Best Supporting Actor in From Here to Eternity. He released several critically acclaimed albums after signing with Captiol records in 1953.
Sinatra’s generation was the first of the era to grow up with the microphone. He and others after him began using a personalized, softer and more nuanced style. What was truly outstanding and drew audiences was his incomparable vocal range.
On a personal note, what is special about Sinatra was how my grandfather emulated him and constantly sang his songs. His perennial favorite was My Way, which my grandfather sang and recorded himself before passing away from cancer. We played the song as the hearse was being taken from the church at his funeral.


SOURCES: 
http://en.wikipedia.org/wiki/Swing_music
library.thinkquest.org//history/swing/swingstart.html
http://americasmusic.tribecafilminstitute.org/session/view/swing-jazz
http://www.mibba.com/Articles/History/5098/The-History-of-Swing-Music/
http://midget38.hubpages.com/hub/Music-of-the-swing-eragreat-swing-musicians-and-songs